what is amateur space jazz? one could call it a lo-fi minimal wavish version of cosmic space jazz and anything closely related to it...from spiritual soul, g-funk, ethiopian jazz to ambient and everything in between...no knowledge of musical theory is required...played with a d.i.y punk approach on crappy digital synthesizers - preferably with dubious renditions of real instruments. warmed up to the right temperature with some offbeat effectsbox. multitracking is a technique widely used...to create a one person band with all its members oneselfs multidimensional copies in time........comes with a 24 page graphic novel written and drawn by danny wolfers himself and a nightwind amateur space jazz gummy domed sticker.......lets enter world of amateur space jazz!!!

the late 1960s / early 70s brought about a change in sound for many gospel groups. producers and label heads at abc peacock recognized that the traditional sound of gospel needed to be updated to appeal to the younger market. the groups started to incorporate elements of soul and funk with arrangements influenced by the r&b records of the time. this compilation presents 13 striking examples of this seismic shift in black music by some of the greatest groups in gospel music’s rich heritage.

duff breaks is composed of 40 breaks and sound effects compiled for easy use in any set or production. a companion for any serious dj or amateur record collector. duff breaks is the frst of an essential vinyl series transforming the sound of music and helping funky beats and drops conquer the world.

one half of cab drivers and co-founder of cabinet records: zky presents his new label ground service. 4 tracks that show what he and his imprint stands for. grooving baselines, driving beats and hipnotic sounds. tunes that take you on a dancefloor journey.

ltd repress !! black bones debut release is really something ! as soon as we heard these expertly sourced and beautifully crafted reworks we were hooked ! this crew definitely know what they re doing. from the daphni-esque full throttle afro a side, to a duo of lost classics on the flip, this one s a keeper... we re told their skill at exhuming knows no bounds, so get ready for the next instalment !

enois scroggins is very popular now on the new funk scene, his boogie synthe is very appreciate in france by the boogie collectors attention quantity limited at 250 copies only

charlie watts meets the danish radio big band is the kind of album that many jazz fans had probably given up hope of hearing. in the glory days of big band jazz and arrangers like oliver nelson coming up with brilliant music, albums like this were, if not commonplace, at least more readily available. the truth is there is nothing commonplace about this album, it is a sheer delight.
anyone who knows charlie, knows how much he loves jazz. a few years ago when he and i were looking at a photo of the stones playing in the 1960s he pointed at a particular cymbal and said, “i’ve still got that cymbal, but i don’t use it on stones’ gigs, it’s too good for them. i just use it on my jazz gigs.” there’s no doubt, that’s the cymbal you hear on the first part of the ‘elvin suite’.
charlie watts is one of the great ambassadors for jazz and every jazz lover will relish this record, and the fact that charlie is involved may bring jazz to the attention of some that are not sure if they like jazz. listen to this and you know you do.

the much lauded no.19 music serves up another excellent all canadian affair for its next ep:behind it is producer & label co-owner nitin, with remixes from live specialist the mole and labelboss jonny white aka art department who serves up his own hypnotic take on things.no.19 music has been going back to its roots recently, bringing to the fore a steady stream ofincredible underground music from torontos sons & daughters. 2016 closed out with thestandout single, full circle from art department in collaboration with ad/d, seeing supportacross the board for the return of jonny whites much loved moniker. however it is the longstanding partnership of white & nitin that is the true central pillar of the no.19 story, and its thelatter that offers up here what is almost certainly his most impressive work to date

c.vogt s and patrick jeremics minds work in loopy circles. endless grooves that take you off in to the wild blue. vilá is by far the strongest of the bunch. capturing that moment where the sun peaks over the horizon in some far off land. reminiscent of the days when trance wasn t a dirty word. vice takes you up in to a place where people s faces beam with positive emotion. trippy melodies roll the track ever forward while snapshot samples of the cops radio communications drift in and out of the tight groove. ekstasis is a head nodding, eyes closed journey towards your inner self. listen to the guru and do what he says. get weird people!

180 gram vinyl pressing with download code included.
for his third ecm release as a leader, chris potter presents a new acoustic quartet that naturally blends melodic rhapsody with rhythmic muscle. the group includes superlative musicians well known to followers of ecm’s many recordings from new york over the past decade: keyboardist david virelles, bassist joe martin and drummer marcus gilmore, who each shine in addition to the leader on multiple horns. the dreamer is the dream features potter on tenor saxophone – the instrument that has made him one of the most admired players of his generation – in the striking opener “heart in hand” and such album highlights as “yasodhara,” as well as on soprano sax (“memory and desire”) and bass clarinet (the title track). potter is an artist who “employs his considerable technique in service of music rather than spectacle,” says the new yorker, and his composing develops in texture and atmosphere with every album. along with his previous ecm releases, imaginary cities and the sirens, he has appeared on some of the label’s most acclaimed discs, including paul motian’s classic lost in a dream and dave holland’s grammy award-winning what goes around.

fragrant harbour has invited general ludd s richard mcmaster (golden teacher) and tom marshallsay (dam mantle) to end the year long hiatus since the last fghb release. the first track what brings dark, african rhythms alongside meticulously structured techno elements, coming together to create an intense and maddening energy. later last night continues forward with interspersed percussion layered on top of inventive sub-frequencies bringing a constant pulse to the track. the fastest track of the record, making strange ends with more madness a hollow mid-low range drives unrelenting throughout, visited unexpectedly by frenzied percussive highs.

undocumented soul & folk, compiled by dj roman bloecker. double vinyl with liner notes and download code.

house master gari romalis, kick out a new ep on wound music, you know what to expect…groovin sexy timeless tracks of pure chicago sound. incl. lello di franco mix - ltd to 200 copies

repress 2017 !! after the immensely well received start with blip001, soon enough dj’s and fans alike were banging down the abstract door of blip discs to see what else this new label could have in the pipeline. blip002 comes from label head honcho tom blip in the form of wrong guanco/shekere. these tracks are afro, unpredictable, dj orientated cuts - road tested by dj’s such as bradley zero & werkha, they’ve already been causing serious movements on dance floors up and down the country. due for release soon, blip002 offers another new, exiting artist to it’s roster accompanied by another limited 12” debut.

label friends call super and shanti celeste on this second 10 year anniversary 12- for dekmantel 8 to follow tip! five years after their first event, dekmantel records saw the light of day. over the course of 2017 the label will release ten eps from artists that are close to their hearts, artists that have shaped dekmantel into what it is today and producers who never fail to inspire them. each ep comes in an unique full-color printed inner-sleeve, housed in a glossy outer-sleeve with logo punch out. shinkwrapped, stickered and pressed on 180 grams vinyl.

nachdem rob zombie pünktlich zu halloween letztes jahr die zuschauer geschockt und begeistert hat, folgt jetzt der soundtrack zum film auf vinyl im klappcover.
der 28 titel umfassende soundtrack wurde von rob zombie produziert und enthält 8 exklusive tracks, die von zombie selbst mitgeschrieben und zum teil auch aufgenommen wurden mit der zusammenarbeit von john five, bob marlette und chris “zeuss” harris. auch andere bekannte songs von künstlern wie z.b. james gang, lynyrd skynyrd und the mamas and the papas sind auf der platte enthalten.
durch den soundtrack hindurch ziehen sich außerdem immer wieder fesselnde sprachpassagen aus dem film, um den hörern auch zu hause eine gruslige atmosphäre bieten zu können.

limited repress
what a day! digwah is back with another essential club bomb. after a very successful first release supported by the likes of ricardo villalobos, the mysterious imprint strikes again with some serious dance floor heat. don t sleep, this is something else!

es gab kaum orte, die in der northern soul-szene der 1950 /1960 er jahre detroit ernsthafte konkurrenz machen konnten, philadelphia kam dem aber sehr nah mit amerikas damaligem nr.1 independent-label cameo-parkway. die outta sight-vinylkollektion -here comes the night owl- präsentiert 16 klassiker des legendären labels, von chubby checker über christine cooper bis bunny sigler.

limited edition of 1000 copies for rsd 2017.
soul brother records are delighted to release for record store day 2017 one of the most elusive soul lp’s of all time, a truly holy grail album. susan phillips ‘soft sexy soul’ was recorded for sylvia robinson’s all platinum label 1971, pressed in small quantities. few copies have ever surfaced, it is so rare that many collectors doubt if it was ever released, it is not listed on discogs and it has never been recorded as selling on ebay. if an original copy were found today, it would surely sell for a substantial amount of money. the album has that classic early 70’s new jersey orchestrated soul sound. the album contains the in demand 2-step single ‘he knows my key (is always in the mailbox)’, the northern soul floater ‘answer to my prayer’, detroit sounding ‘please don’t keep me lonely’ the multi paced ‘where do i go from here’ and many great ballads like ‘he’s gone’ and ‘this i’ll guarantee’. demand from soul collectors is expected to be high and this album is likely to sell out quickly in the same way that last years ‘this is eleanore mills’ (also from all platinum) and all the previous soul brother records rsd releases have.

part two of a new salsoul re-edits series launches with four classic edits for rsd from seminal edit king danny krivit. with over 45 years behind the turntables, if anyone knows what little extra touch a record needs to work on the dancefloor…its danny! taking his editing skills to four classics from the salsoul vaults , danny delivers once again. available on vinyl for the very first time.

james dexters star has been rising for a while now - the young brit turning out killer tracks regularly on the back of hugely well received dj sets. on his second outing for dessous recordings, dexter does what he does best - four slices of deep, funky and vibing house music for the floor. lead track drift is typical of dexters flair for subtle, edgy sounds, wrapped inside a warm and inviting groove. elements come and go, but the shuffling, infection feel runs throughout. take me is a more upfront vibe with a seriously bumping groove - dexter clearly well versed in the roots of house music from chicago. ‘whose rules ?’ is a snappy, bright and lively production, with a sub bass that will troubler some of the world’s best club systems in the coming months. the light, jazzy vocals offsets the groove perfectly - sure to be a big tune for a wide variety of djs. the last track of the release is disco deep - and it pretty much does exactly what it says - a swung, groovy feel punctuated by disco claps and balearic flourishes that will sound as good on the beach as in the basement.

opening the ep, black magic sets an optimistic tone for what is to come from this new label. intoxicatingly hypnotic and full of warmth, this track reminds us that it is always summer somewhere. if black magic is essential in warming a party up, god bless atheism is the perfect way to bring us softly down on the other side. a modern balearic anthem in the waiting, this is best enjoyed looking out to new horizons. b1 street sunbath sees ponty exploring more-techy territory whilst still retaining the hopeful feeling that forms the backbone of this ep. closing the ep, hidden object has a strong tribal feel which hooks the listener. using vocal chanting samples and simple repetitive melody lines, this is a perfect example of how less is often more in connecting with the dancefloor.

first collaborative ep from the ownlife chronicles. the point between the mind behind semantica records, or what is the same. svreca. joining forces with the label owner. leiras. another four tracker shaping the cyclical, repetitive and deep sound characteristic from the series.

estonian pizzaboy kadajane delivers five slices of super spicy pepperoni pizza directly to your door. these straight from tape house cuts will overheat every big room, narrow dirty club, and block party you’ll ever play them in. lard and fat trickling from the turntables all over the place.

as much as, in modern days, it has become increasingly difficult to pin things down to a specific genre this release brings very defined genres but also a refreshing feature, a constant change of energy in one single track, and most importantly, it all comes with this modern feel to it which indicates it is the new generation rising making justice to what ultrastretch stands for, surfacing fresh and new talents. signed by austrian duo foehn & jerome. the a side is of the ep consists of the genius idea that it is a relatively simple track, however, with the feel that so much is happening, the type when you listen to a loop but one you can listen to forever and not get tired of it, always the best sign. a rolling and constant bassline makes it into a super fat and rounded dancefloor groover, while on top you have these fragments of chopped up vocal samples in and out creating a sense of confusion, a mind drilling element is then complemented by very loose and fine hihats floating around. on the b side starts with quirky minimal track with a galloping kick throughout, when the open hihats slam in with a vocal it quickly develops into a very happy and playful housy vibe and just when you are riding, the clap slams in now on a tighter hat sequence followed by the break and rebuilding, when it comes back however it adds another element changing the energy yet again, through introducing a synthline. the quirky frog sounding noises throughout certainly makes it a super witty track overall.

after a prolific career releasing on platforms such as audio assault, token, perctrax, stroboscopic artefacts and the huehelix imprint go hiyama is back with an astounding piece of work that dictates its own path. ‘i am goodbye’ graces us with wondrous sound-design and drum patterns that are just as menacing as they are intricate. based on the concept of denial this full-length takes a steep dive into what here at parachute we cherish the most - individuality. steering away from what are his canonic approaches to producing he chooses to leave behind sequencers and synths to further explore the nature of instruments such as piano and vibraphone as well as an array of field recordings. the end result is remarkable proof of the concept behind this album, interpreting denial in an unusually positive course of action allowing him to explore areas of sound he had previously never visited. a definite highlight here at parachute and an exemplary release to kick off our 2017 schedule. the year couldn’t have started any better! ‚i am goodbye’ is designed by atilla fidan and released on lp

i did not know what achievements, what mockery, even what tortures awaited me. i knew nothing, and i persisted in the faith that the time of cruel miracles was not past. - stanislaw lem (solaris, 1961)
this paragraph from solaris, the novel written in 1961 by stanislav lem, is the starting point for the concept this 30drop album has been built upon. science fiction masters like lem are one of the greatest influences for the artist, who devised this album after the mental challenges that humans should overcome in a future: encounter with beings from other civilizations: capable of interacting with us in a totally unthinkable way so far.

what initially started as idea for a dj-duo project quickly turned into a new production outlet for german producer david hanke. he is well known for his northern jazz, funk and afrofunk productions under various monikers ever since his first release back in 2008. the most recognized surely is his renegades of jazz-alias.
after starting to fully embrace the afrofunk vibe with his 2016-released renegades of jazz album moyo wangu as well as two dem juju poets singles in the same year it’s now about time to release “liberated thoughts” - the longplay debut for dem juju poets.
having spent an influential part of his childhood in arusha, tanzania and engrained the music of east africa, his sound combines these influences with modern, more club-orientated electronic afrofunk productions which defines the core sound of dem juju poets.
with “liberated thoughts” hanke refines his afrofunk vision for 2017 informed by his experience as a dj in venues all over europe which naturally led to a more floor functional production approach.

it really feels like we (aka mad mats & tooli) have been around way longer than 5 1/2 years with local talk, but it s really true what they say, time flies when you re having fun! from what started as a somewhat simple and almost primitive urge to create a small house imprint has now grown into a much bigger affair. we really tried hard to keep the label from getting stuck in any genre (remember 90s house?) and to always keep the local talk relevant, curious, diverse and with a healthy dose of underground mentality. from our very first release with bassfort s excellent moon shadow in the summer of 2011, we had a crystal clear vision of what local talk should represent...house music in any way, shape or form! over the years we released soulful, disco, jack, afro, vocal, deep, jazz, tech, latin, old school, acid, uk, berlin, new jersey, detroit and of course chicago inspired house music. if it made us bump...we put it out! this brings us up to today and about +80 releases later. we thought about how we best could sum up these first 5 1/2 years and immediately the image of blaze s classic album 25 years later popped up. besides the fact that it s an amazing album cover it also a good representation when different musical genres fuse together. it s not strictly a house album but just as well a r&b, reggae and soul album. this fusion and variation of house sounds is something that we ve tried to capture on our 5 1/2 years later compilation, split into two parts. on part 2 you ll find a high energy disco rub from parisian s3a, a truly deep and soulful vocal jam from boddhi satva & sly johnson, a deep uk garage production from smbd (aka simbad), a dark and electronic affair from toto chiavetta (yoruba) and finally a musical acid number with that magical bristol touch from newcomer marcel lune. all in all we think we got most angles covered and hopefully this album will make you spread that chalk on the dance floor and get down...local talk style

erste lp-remaster-veröffentlichung des jazz-funk-albumklassikers -turn this mutha out- (1977) des drummers und percussionisten idris muhammad, der beispielsweise mit fats domino, curtis mayfield, jerry butler und sam cooke arbeitete. produziert von david matthews, kommt das album in dessen unverwechselbarem disco-jazz-funk-sound und enthält den classic -could heaven ever be like this-, den u.a. jamiroquai und drake sampleten.

floor fillers reminiscent of early prodigy-style breakbeat, accompanied by a neurotic acid gem and an ambient version of the title track. the r raves on! with whats going on, electronic emergencies turns back the clock to 1993. by then, dutch brothers the r had made a name for themselves with releases like rave the planet on legendary proto techno label esp, and the four previously unreleased tracks on whats going on were also created during the heyday of dutch pre-trance techno house

the american boogie down finally makes it on vinyl! to celebrate the 10 years anniversary of the groundbreaking compilation by jerome derradji & rob sevier (numero), past due records, the reissue division of still music is finally releasing this incredible selection or rare and lost boogie funk and disco from the midwest and beyond on wax. the dlp includes an exclusive poster with liner notes by rob sevier and artwork by al kent

the sound of detroit by one of its unsung heroes, amp fiddlers new album motor city booty coming straight off the d funk assembly line, a full on dance floor affair from motown to p-funk, techno and neo soul. this 12 track album produced by amp fiddler & yam who? includes the massive soul fly sounding like a mark ronson production had he been hanging out with george clinton s parlet followed by the bonafide p-funk anthem steppin both featuring the stunning vocals by the dames brown girls. amp fiddler is credited for taking both a young j dilla and also q-tip under his wing teaching them his akai mpc techniques, setting the path for some of hip hops finest recordings which have defined the shape of things to come. his musical collaborations & current duties include: moodymann s musical maestro, keyboard wizard for theo parrish s live band, a longstanding funkadelic member, co-writer for sly & robbie, prince, maxwell, jamiroquai & seal to name a few.

r&s records present the three remixes from sporting lifes slam dunk series pressed to one slab of wax. &#8232,,&#8232,,these remixes all came from sporting lifes friends and contemporaries. actress turns in a stunning, typically deconstructed remix of court vision (feat evy jane) alternating between using the full vocal, the mood is one of melancholic hauntology. galcher lustwork comes correct with a tripped out, euphoric house reworking of hydrate peeling back the complexity of the original for a straight jack that oozes class. finally arch beat provocateur dean blunt provides a suitably oddball take with his babyfather honeytrap mix (for shakilus) final vip if youve heard the amazing babyfather album or mixtape you know what to expect here

strangelove recordings makes its bold arrival with its inaugural release from the well-seasoned beatmaker worthy, with the aptly titled a little weird ep . a little weird stretches across the a-side with its bouncy drum and sub figure, spread thick over a searing lead line, percussive bleeps and worthy s all-yearning vocals that crescendo with a playful momentum. on the flip, bang baby keeps up the pressure with its warm and weighty bassline and fractured drum programming calling once more for worthy s vocal tones, bouncing atop the bumping rhythm track that stylistically treads the line between house, bass and tech. having of recent re-established his own anabatic records, toured relentlessly and released on labels such as exploited, insomniac and defected, worthy s much anticipated debut with us sets the standard high for what is to come, whilst wholly encapsulating the label s experimental sound dj support: danny howard, gorgon city, eton messy, amin edge, jakwob, illyus & barrientos, dateless, charlie tee, coco cole, linier, gotsome, kideko, low steppa, monki, mike wooler, oliver heldens, dismantle, 6ftshort, ciszak, ardalan, walker & royce, friend within + more!

„ourselves is entering the third round. but what can one expect from a house label? with the v/a homelike, you committ yourself to the mission of house music in all its various manifestations and take it to the floor. kicking off the ride is sello s “loop my ass“. soulful vocals driven by massive kicks, string sounds and heavy bass. simply timeless. what else could you want? jan ketel & siggatunez pick up the pace with “today is the past of tomorrow“. analog basslines and deep chords shake hands with shuffling hihats. no big hoo-ha. the focus is simply on groove and atmosphere. the boys from rose records, m.ono & luvless, are making their debut on ourselves with house music par excellence. funky and floating, the “walnut express“ keeps pushing through your speakers announcing party. lootbeg s “remembrin“ perfectly rounds up the release and lets you fly away. hovering pads seemlessly interwoven with arp sounds and classical drums telling you that house is your home, simply homelike!“

schmer-007 smoking is still bad for you volume 1 is here and contains old school and new cool tracks from all the original schmer culprits plus some loops from our new friends. dietrich schoenemann and prototype 909 dug their tracks out of their vast archives of unreleased originals. dj rx-5 and bpmf delivered some hot new schmers to get us moving again. for the last 20 years we’ve all been tormented by the great issues facing mankind and most vexing among them of course was when will the next schmer record finally come out? i am happy to say that the answer, my record distributing friend, is now! prototype 909 demands that you ( redacted ) the volume! a track recorded in 1997 and finally getting released for the first time here. prototype 909 was a group from new york that made techno in the 90s. since then, the three members of this group all went on to do things. #truefacts dietrich schoenemann has been so busy being one of the last men cutting all the records in the world that he hasnt had time to organize his catalog of unreleased gems. i distracted him with the old look over there trick and stole 8 feet from him while he wasn t looking. (hopefully he didn t recognize it while he was mastering it) the last schmer vinyl was dj rx-5 a taste for crap ep from the then moscow based very underground dj compass vrubell. nina kraviz thought it was so crappy she put a track from it on fabric 91: nina kraviz, so i asked alexey to make some more crap. he did it his shway and this is the result. ( ps he still has all the patterns for the rx-5 from the original release so remaster, remixes and rereleases are in schmer s future, huzzah!) bpmf the original schmer artist had nothing better to do so he kommt back and gave us this track. we love to torture the engineer so we just had to include some loops: rhizome is the alter-ego of moscow wunderkind nikita zabelin. philly based hero/victim has been victimizing soundsystems up and down the east coast with his mad live performances. the wise caucasian is a pseudonym for some super famous london based producer and label owner, or at least thats what he claimed when i picked up his bar tab.

the practice of pseudoscience, a three track ep by m parent, is the second vinyl release from the us based label chem club records. having been inspired by peripheral thoughts about pseudosciences, this ep is washed in steady emotional build ups using airy reverb, scattering percussion, throbbing stabs and solid kicks. the title track (a1) uses these elements to move towards a piercing synth peak while cycle of intellect (a2) spaces out these features as it creeps to a dubby impactful end. the b side temazcal rites was directly motivated by a scorching summer day when the intensity of the sun sparked an idea for a sizzling percussive experiment. what were left with is a funky but emotive soundscape that tops off the ep in a unique fashion.

geography has always been about feelings. our next record is a special one with lots of them. several years in the making. a local affair, a sorgenfri/sofielund/gamla väster/annelund affair. geography returns with what will be remembered as probably the best record of 2017, a mini album full of deeply rooted house music from total newcomer fyodor the dj, put on wax by geography straight outta malmö

seasick steves klassiker endlich wieder auf lp erhältlich!

das label acid jazz leitet eine neue Ära ein. es wird nicht nur ein großer teil des back catalogues wiederveröffentlicht, sondern auch zeitgenössische bands veröffentlichen brandneue alben. zu diesen gehören new street adventure. sänger und gitarrist nick corbin gründete die band 2007 mit dem anspruch pop und moderne soul-einflüsse elegant zu verbinden. nach dem album -no hard feelings- ist dies der zweite streich unter der flagge von acid jazz. mit -stubborn sons- sieht sich die band in der tradition von curtis mayfield oder the jam, beides acts die das politisch unruhige klima ihrer jeweiligen dekaden - die 70er und 80er jahre - in ihrer musik verarbeiteten und kritisierten. so sind die texte kritisch, die musik hingegen erstaunlich groovy.

mit -adios- erscheint cory branans drittes studioalbum für das in chicago ansässige bloodshot label. branan zählt spätestens seit seinem letzten album -the no-hit wonder- zu den talentiertesten amerikanischen singer/songwritern und wurde von publikationen wie dem amerikanischen rolling stone oder noisey zu recht für seine vorgänger gefeiert. die 14 songs des neuen albums bewegen sich zwischen americana, roots- und indie-rock. auf dem opener -i only know- erhält branan prominente unterstützung von laura jane-grace von der formation against me. cory branans einflüße reichen von elvis costello über tom waits bis hin zu buddy holly.
pressung auf schwerem 180m gramm vinyl, downloadcode inklusive.

slam city jams is back with its second release, produced by young brussel based artist kassett. this multi-talented dude not only makes great music, but also does visual arts (look at that amazing fanzine coming with the record) and has his own label & artist collective called midlife. kassett aka gavin vanælst isn’t about genres, but about emotions when it comes to his music. however, asking him what he would call the sound he makes, his simple answer is: rave ambient. the all i feel 1 million ep‘ is a record full of diversity. it reaches from emotional and dreamy, arp-based ambient tracks with rave and trance references, to broken beats, weird synth solos, up to a rough but melodious techno tune. finally the cherry on top of this special ep, is a remix by lobster theremin regular imre kiss. he delivered a dark and dubby version of the a2, that sounds like it was recorded underwater.

what is love? we had away once then we lost it. so russ told us we got to find it and yazz said it was up but elvis said it was down. the west went out and harrods went in if only essex could have shown us before sid bloody murdered it. no matter. at light sounds dark we like ours with kurds anyway. unequivocal love, 100% pure love love on top of love.. its hard.

nerolis own volcov selects some favourites that never been available on vinyl before and shares them re-mastered and ready for all the music lovers. music ranges from larry heard collaborators lee pearson jr to blaze collaboration with the late dj man x, passing through a manoo deep and hypnotic late nite jam.

two salacious sample heavy edits ready for the floor. soft and delicious dj goodies. what a lovely way to burn. give me the diamonds. uh. xx

the label say: what is soul really? the answer to that is a various as the music that claims it. we here at wph hq do not know the answer either, but we do know an exceptional piece of music when we hear it. enter fabrice lig, belgian techno legend with his roots in our little country and his ears definitely in that place called detroit.

there was a time when to die was something slightly different from what it is today. back in the last days of the middle age, some hidden monk was concerned about how to die properly, according to the catholic standarts of that era, so he wrote a book that was a cornerstone in that period. this has been the leitmotiv and inspiration in the concept that drives this album, the ars moriendi book from 1415, a book that gave some clues about how to die properly, avoiding lack of faith, despair, impatience, avarice or spiritual pride, all those actually track titles in this compendium.